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ABBA The Concerts ABBA live 1970-1982
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New domain abba-theconcerts.DE – Please update your bookmarks and links. The former info-domain will become invalid.
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The North American & European tour 1979
The tour
Original ideas for a world tour 1979 included Western Europe, North America, the Far East and also Eastern Europe. Because they needed more time for the Voulez-Vous album these plans were condensed and Eastern Europe and most of the Far East were dropped. From the Far East only the Japan tour 1980 remained.
The planned venues still looked different to the actual tour in the spring of 1979:
Middle of May Stig Anderson will go over to Los Angeles and New York to discuss the up-coming tour, the opening of the movie in the US and the release of the LP in the US and Canada. All efforts will be put together to really make this ABBA’s year in the US!! [...] It is now decided that ABBA will open their American, Canadian and European tour in Vancouver, Canada on September 15th. They will play the following cities in the US and Canada: Vancouver - Seattle - Portland - San Francisco - Fresno - Los Angeles - Salt Lake City - Denver - Kansas City - Minneapolis - Milwaukee - Chicago - Cleveland - Washington DC - New York - Boston - Toronto - Montreal. The dates and places will be definitely confirmed during Stig’s visit to the US. ABBA will continue their tour in Europe at the following places: October: 19 Gothenburg, 20 Stockholm, 27 Copenhagen, 23 Paris, 24 Rotterdam, 25 Dortmund, 27 Munich, 28 Zurich, 29 Vienna, 30 Stuttgart – November: 1 Bremen, 2 Frankfurt, 3 Brussels, 5 London, 6 London, 7 London, 11 Stafford, 12 Stafford, 13 Glasgow, 14 Dublin
Polar press release of May 9, 1979)
For the decisions about their route through the USA their record sales were analysed and they finally sticked with their “heartlands”.
Rehearsals with musicians and backup singers started on May 13, 1979 at the Grünewaldsalen at Stockholm’s Konserthuset and two preparation concerts were done in May already. From July 30 on rehearsals continued at Europafilm in Bromma.
In preparation for the 1979 tour, a number of rough mixes of songs, from the original multitrack tapes, were prepared, with instrumental backing turned down and backing vocal performances more upfront. This was to highlight the vocal harmony arrangements, so that it would be easier for the backing vocalists to study and learn their parts. [...] Interestingly, ’Honey, Honey, ‘Mamma Mia’, ‘I Do, I Do, I Do, I Do, I Do’, ‘My Love, My Life’, ‘One Man, One Woman’, ‘The King Has Lost His Crown and ‘Lovers (Live A Little Longer)’ were considered for inclusion in the set list at this stage. [July 1979] As far as can be ascertained only three of these titles made it into the rehearsals.
Plans also were to include a completely new song
At one point, the song [Rubber Ball Man] also featured in the rehearsals for the upcoming tour under the new title ‘Under My Sun’, with what seems like another set of demo lyrics – about someone who’s a “true star under my sun” – and an informal recording was made of it during rehearsals at Europa Film Studios, although it’s unclear exactly when (‘Under My Sun’ has been bootlegged from this tape, but the recording does not exist in the Polar Music archives). On the rehearsal tape Björn suggests that the song should be booted off the set list, even before they start performing it: the show is already very long and he doesn’t feel that good about the song. Benny agrees but says that they might as well record it.
On August 10 ABBA, the backing vocalists and the musicians made a recording of several rehearsed tracks including My Love, My Life, One Man, One Woman and The King Has Lost His Crown (The Complete Recording Sessions (2017), p. 338)
The stage design by Rune Söderqvist was built in London. Three big trucks transported the 40-50 tons of the stage design and the equipment. ABBA usually travelled by private jet, Agnetha travelled by limousine or with the band in the bus whenever the distance between two cities was close enough.
The 45 concerts of the 1979 tour had a total audience of around 300,000. However, some concerts in the USA weren’t sold out and though the audience reportedly was enthusiastic throughout they also received some bad reviews by US journalists. In the end they lost $ 200,000 with the North American concerts and couldn’t push their record sales as much as they hoped for. (ABBA in America / Bright Lights, Dark Shadows)
According to Stig Anderson the top price for US tickets was $US 9.50 because “We draw a lot of families with kids” (Billboard, September 29, 1979, p. 3).
I hadn’t reached this level of maturity when we began the USA tour of 1979 [...]. It was momentous and successful, but for me it was awful. Björn and I had separated and I had torn myself away from the children. I just wanted to be home, home, home. But I had no choice. Björn and I were agreed about doing this tour together, despite the divorce, so we had to form a new relationship with each other and work together in a new way. It was an unfamiliar situation for all four of us – an ordeal by fire. I had no one to talk to. So I mourned alone. The whole time I ached inside for the children and from home sickness.
Agnetha in As I Am, p. 85
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- Set list
Set list
- Introduction: Gammal fäbodpsalm
- Voulez-Vous
- If It Wasn’t For The Nights
- As Good As New
- Knowing Me, Knowing You
- Rock Me
- One Man, One Woman (only performed at the first concert in Edmonton)
- Not Bad At All
(by Tomas Ledin, sung by Tomas Ledin & Mats Ronander with Agnetha & Frida joining the backing vocals)
- Chiquitita
- Money, Money, Money
- I Have A Dream (with local children choir)
- Gimme! Gimme! Gimme! (A Man After Midnight)
- SOS
- Fernando
- The Name Of The Game
- Eagle
- Thank You For The Music (on some North American concerts sung with a local children choir)
- Why Did It Have To Be Me
- Intermezzo No. 1
- I’m Still Alive
- Summer Night City
- Take A Chance On Me (apparently supported by a tape, presumably for the male background vocals only)
- Does Your Mother Know
- Hole In Your Soul
- Encore – The Way Old Friends Do
”We thought it would be a nice way to end the show during the encores, so that the audience would know that the show was really was over after that,” explains Benny. In rehearsals it seems this was indeed the very last encore to be performed.
- Encore – Dancing Queen
- Encore – Waterloo (introduced after some North American concerts)
The only immediate change in the set list after this first show [in Edmonton] was the removal of the poignant ballad One Man, One Woman. According to a reviewer at the time, this performance of ‘what ought to have been a power-house of a song’ simply didn't come off as it should in the show. A few concerts later, Thank You For The Music was also removed from the show, due to a muted response from audiences, while Waterloo was added as a final encore.
I had my own number called I’m Still Alive. It was never recorded, but we always played it in concert. It was a ballad, so the audience would be nice and quiet. I sat at the piano and played and sang. Suddenly, when the lights went down, little by little small lights came on in the dark. People had brought lighters with them and soon there would be a sea of shimmering flames which flickered everywhere. We all became spellbound, the magic of music was palpable. It was one of my greatest moments.
Agnetha in As I Am, p. 87
Today this [Voulez-Vous] sounds too fast for me, but it must have been the adrenalin in us.
Benny in ABBA Intermezzo Magazine #74, October 2014, p. 11
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- Staff
Staff
The band
- Ola Brunkert (drums)
- Anders Eljas (organ, piano)
- Rutger Gunnarsson (bass)
- Mats Ronander (guitar, harmonica, vocals on
Not Bad At All)
- Åke Sundqvist (percussions)
- Lasse Wellander (guitar)
- Tomas Ledin (backup vocals, vocals and piano on Not Bad At All)
- Birgitta Wollgård (backup vocals)
- Liza Öhman (backup vocals)
- Claes af Geijerstam (sound engineer)
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Management & technicians
- Stikkan Anderson (ABBA’s manager)
- Görel Johnsen (Stikkan’s assistant)
- Thomas Johansson (tour manager)
- Gerry Stickells (tour consultant, USA)
- John Spalding (financial affairs)
- Marie Anderson (press contact)
- Bosse Norling (ABBA’s personal tour manager)
- Hans Blomgren (band’s tour manager)
- Henry Smith (tour manager, USA)
- Jimmy Barnett (stage manager)
- Kenny Murray (guitars & drums manager)
- Stuart Mackillop (pianos & organs manager)
- Max Norman, Lars Brogård, David Gaultry,
Ted Leamy (sound)
- Pattrick Woodroffe (head of light)
- Cambell Hair, David Haugton, Siom Tutcher,
Gerry Mott (light)
- Mike Weisman, Robin Murray, Bob Birch,
Hans Fredriksson (stage workers)
- Ingmarie Nilsson (now Halling) (wardrobe & makeup)
- Elisabet Hofstedt (hair)
- Rune Söderqvist (stage design)
- Robert Hilts, Mike Liss, Gilbert Lopez (truck drivers)
- two bus drivers
- trucks apparently supplied by the Edwin Shirley Trucking company.
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They were used to being treated like shit by most of the other big acts, but with ABBA it was different. The road crew should have their food, and we mustn’t start the party before they had arrived, and so on, because those guys were working really hard. They thought that this was the best tour they had ever been on.
Anders Eljas in From ABBA to Mamma Mia!, p. 53
More information about people on the official site (Story –>The people).
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- Links & sources
Books
Links
- Hitkrant (The Netherlands), June 1979 – ABBA is working on a spectacular world tour
- VeckoRevyn (Sweden), August 1979 – The game is on: Make it or break it for ABBA
- Hitkrant (The Netherlands), 1979 – Is this ABBA's farewell tour?
- Joepie (Belgium), 1979 – ABBA’s last world tour
- Hitkrant (The Netherlands), August 1979 – Spectacular run on ABBA tickets
- Joepie (Belgium), September 1979 – ABBA is feeling great, how about you?
- Billboard (USA), September 8, 1979 – complete issue, includes a large ABBA special
- Billboard (USA), September 29, 1979 – ABBA tour expansion?, about possible venues
- Billboard (USA), September 29, 1979 – 100,000 retailers for ABBA merchandising?, about the merchandising around the tour
- Rocky Das Freizeit-Magazin (Germany), 1979 – Sleepless nights before the world tour!
- Pop Foto (The Netherlands), December 1979 – ABBA is tired of all the gossip!, about rumours and plans for future concerts
- Joepie (Belgium), 1979 – ABBA rehearses for every show!, rehearsal pictures
- Privé (The Netherlands), November 1979 – How jogging clears Björn Ulvaeus’ mind, about Björn keeping fit on tour
- Pop Biz (The Netherlands), 1979 – ABBA Live, about the reception of the North American concerts
- Rocky Das Freizeit-Magazin (Germany), October 1979 – ABBA up close, general tour report
- Hitkrant (The Netherlands), November 1979 – ABBA more than satisfies the fans!
- Pop Biz (The Netherlands), 1979 – Never before had ABBA been this good..., but still...
- ABBA Intermezzo – The Intermezzo magazine #74 features a report about hair stylist Elisabeth Hofstedt
- In Focus: ABBA On Stage – essay by Carl Magnus Palm
- In Focus: North American & European Tour 1979 – essay by Carl Magnus Palm
- MrDoctorABBA – Fan footage
- ABBA - The Pictures by Anders Hanser (2000) – watch it on Youtube: Part 1 | Part 2 | Part 3
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